Claire had always thought of adultery as a country she either wasn't brave enough or didn't want to visit--until someone handed her a passport and a ticket, and suddenly she was on her way.
Max always used the Peal to play any new song he wrote; it was, in some ways, the only instrument he could truly hear. The guitar fit into his arms the way he imagined his own child would.
Call him self-absorbed—that was probably true—but no one else’s problems had ever captured his full attention.
Art was subjective and always included the possibility of failure.
She didn’t want money. It was useless, she liked to say, in getting the things that really mattered.
Un Dernier été de Elin Hilderbrand et Alice Delarbre aux éditions Les Escales
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