The Princess and Curdie

CHAPTER IV.
CURDIE'S FATHER AND MOTHER.
THE eyes of the fathers and mothers are quick to read their children's looks, and when Curdie entered the cottage, his parents saw at once that something unusual had taken place. When he said to his mother, "I beg your pardon for being so late," there was something in the tone beyond the politeness that went to her heart, for it seemed to come from the place where all lovely thin were born before they began to grow in this world. When he set his father's chair to the table, an attention he had not shown him for a long time, Peter thanked him with more gratitude than the boy had ever yet felt in all his life. It was a small thing to do for the man who had been serving him since ever he was born, but I suspect there is nothing a man can be so grateful for as that to which he has the most right. There was a change upon Curdie, and father and mother felt there must be something to account for it, and therefore were pretty sure he had something to tell them. For when a child's heart is all right, it is not likely he will want to keep anything from his parents. But the story of the evening was too solemn for Curdie to come out with all at once.

The miners were a mingled company—some good, some not so good, some rather bad—none of them so bad or so good as they might have been; Curdie liked most of them, and was a favourite with all; but they knew very little about the upper world, and what might or might not take place there. They knew silver from copper ore; they understood the underground ways of thin, and they could look very wise with their lanterns in their hands searching after this or that sign of ore, or for some mark to guide their way in the hollows of the earth; but as to great-great-grandmothers, they would have mocked him all the rest of his life for the absurdity of not being absolutely certain that the solemn belief of his father and mother was nothing but ridiculous nonsense.

CHAPTER II.
THE WHITE PIGEON.
WHEN in the winter they had had their supper and sat about the fire, or when in the summer they lay on the border of the rock-margined stream that ran through their little meadow, close by the door of their cottage, issuing from the far-up whiteness often folded in clouds, Curdie's mother would not seldom lead the conversation to one peculiar personage said and believed to have been much concerned in the late issue of events. That personage was the greatgreat-grandmother of the princess, of whom the princess had often talked, but whom neither Curdie nor his mother had ever seen. Curdie could indeed remember, although already it looked more like a dream than he could account for if it had really taken place, how the princess had once led him up many stairs to what she called a beautiful room in the top of the tower, where she went through all the—what should he call it?—the behaviour of presenting him to her grandmother, talking now to her and now to him, while all the time he saw nothing but a bare garret, a heap of musty straw, a sunbeam, and a withered apple.

I will try to tell you what they are. They are portions of the heart of the earth
that have escaped from the dungeon down below, and rushed up and out. For the heart of the earth is a great wallowing mass, not of blood, as in the hearts of men and animals, but of glowing hot melted metals and stones. And as our hearts keep us alive, so that great lump of heat keeps the earth alive: it is a huge power of buried sunlight—that is what it is. Now think: out of that caldron, where all the bubbles would be as big as the Alps if it could get room for its boiling, certain bubbles have bubbled out and escaped—up and away, and there they stand in the cool, cold sky—mountains. Think of the change, and you will no more wonder that there should be something awful about the very look of a mountain: from the darkness—for where the light has nothing to shine upon, it is much the same as darkness—from the heat, from the endless tumult of boiling unrest—up, with a sudden heavenward shoot, into the wind, and the cold, and the starshine, and a cloak of snow that lies like ermine above the blue-green mail of the glaciers; and the great sun, their grandfather, up there in the sky; and their little old cold aunt, the moon, that comes wandering about the house at night; and everlasting stillness, except for the wind that turns the rocks and caverns into a roaring organ for the young archangels that are studying how to let out the pent-up praises of their hearts, and the molten music of the streams, rushing ever from the bosoms of the glaciers fresh-born

As he hesitated, he heard the noise of a spinning-wheel. He knew it at once, because his mother's spinning-wheel had been his governess long ago, and still taught him thin. It was the spinning-wheel that first taught him to make verses, and to sing, and to think whether all was right inside him; or at least it had helped him in all these thin. Hence it was no wonder he should know a spinning-wheel when he heard it sing—even although as the bird of paradise to other birds was the song of that wheel to the song of his mother's.
He stood listening so entranced that he forgot to knock, and the wheel went on and on, spinning in his brain son and tales and rhymes, till he was almost asleep as well as dreaming, for sleep does not always come first. But suddenly came the thought of the poor bird, which had been lying motionless in his hand all the time, and that woke him up, and at once he knocked.
"Come in, Curdie," said a voice