Monet's famous series paintings--the haystacks, poplars, and Rouen Cathedral that he painted in the 1890s--have long been seen as the supreme realization of his interest in light, color and fleeting moments in time. In this beautiful new book, Paul Hayes Tucker provides a fresh context for these heralded canvases. Drawing on a wide array of sources, from popular broadsides to political speeches, Tucker proposes that Monet's series paintings were not only an artistic...
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